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Friday, October 9, 2026
PlainlyColumn

Game Review: Sleaford Mods' Jason Williamson Takes On Role in Critical Examination at 90s Rave Culture

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one key story turn, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish theaters from November 17.

About the author

Devon White

Elara Vance is a cultural critic and freelance writer with a background in sociology, exploring how societal shifts impact everyday life through her insightful columns.

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